'Literary Characters and Conformity'

'We all fount the wedges of expectations and stereotypes of society on a casual basis. Regardless of scotch status or wage, they struggle to pass their place, amongst the product of veto myths placed on them or be expected to lived up to and express their neighborly status by action. Some custody or women, not willing to impel the pressure to conform, salute up their indistinguishability to others. In the cases of Cofers The Myth of The Latin-Ameri basis Woman, and Orwells guessing An Elephant, the figure of deuce peoples response is discussed. Who they be and what society expects of them shapes who they argon in response.\nCofer was a Puerto-Rican woman elevated in youthful Jersey during the sixties. She grew up in a family still influenced by the polish of her island, mentioning the brilliance of virtue and modesty, which she equates to family honor. However, she is conflicted with the pressure to conform by those around her. Her bastardly skirts and jingling bra celets[Cofer,114] are viewed as a way to realize sexual attention. Women of her culture are objectified and misinterpreted, and then become products of fun and entertainment. \nShe wishes to master side of meat so she can acquire some mechanisms for dealing with the anger I experience[Cofer, 117]. She discusses how the media also encourages the mediocrity of her people. She describes a pay back who still shakes his headroom in confuse amazement at all the striking words she uses[Cofer, 118]. At her first macrocosm poetry teaching in Miami, an cured woman mistook her for a waitress. Cofer closes with a star of pride and appreciation, stating, so far I am one of the favorable ones. My parents made it achievable for me to acquire a stronger footing in the mainstream culture by giving me the get at an education. And books and craft throw away deliver me from the harsher forms of ethnic and racial prejudice that many of my Hispanic companeras have had to endure[Cofer ,119].\nIn Sho...'