Surrealism and T.S. Eliot's "The Love Song of J. Alfred Prufrock"

Surrealism is a dangerous rule book to use about the poet, playwright and critic T.S. Eliot, and certainly with his toss start major work, The peevishness form of J. Alfred Prufrock . Eliot wrote the poem, after all, years before Andre Breton and his compatriots began defining and practicing phantasmagoricism proper. Andre Breton publish his first Manifesto of Surrealism in 1924, s unconstipatedsome years after Eliots proceeds of The have sex vocal music of J. Alfred Prufrock. It was this manifesto which defined the proceeding in philosophical and psychotic logical terms. Moreover, Eliot would later fork out indifference, incomprehension and at times repugnance toward surrealism and its precursor Dada.         Eliots favourites among his French contemporaries werent surrealists, but were rather the figures of St. can Perse and Paul Verlaine, among others. This does non mean Eliot had nought in third the three estates with surrealist poetry, but the facts that both Eliot and the Surrealists owed lots to Charles Baudelaires can perhaps better(p) condone any similarity strangely aware explorations of the symbolic suggestions of objects and images. Its unusual, sometimes galvanize juxtapositions often characterize surrealism, by which it tries to transcend logic and habitual thinking, to reveal deeper levels of meaning and of unconscious mind associations.

Although scholars might not clear Eliot as a Surrealist, the surreal grace, defined as an movement to express the workings of the subconscious mind by images without vow, as in a pipe dream is exemplified in The Love pains of J. Alfred Prufrock.         Prufrock presents a symbolic landscape where the meaning emerges from the unwashed interaction of the images, and that meaning is enlarged by echoes, often heroic, of other writers. The juxtapositions mentioned previous are evident even at the poems opening, which begins on a rather sombre note, with a nightmarish passing plucky from Dantes Inferno. The main character, Guido de Montefeltro, confesses his sins... If you want to amount a full essay, revision it on our website: Orderessay

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